Annette Hill
Professor i medie- och kommunikationsvetenskap
Avdelningen för kommunikation och beteendevetenskaper
, Högskolan för lärande och kommunikation
Ämnesansvarig för medie- och kommunikationsvetenskap
Forskningsgrupper
Nämnder, råd m.m.
För en presentation av Annette Hill, se engelska presentationsidan.
Artikel
Hill, A., Lee, J.
(2022).
Roamers: Audiences on the Move Across Entertainment Platforms In Southeast Asia Javnost - The Public, 29(1), 98-114.
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Hermes, J., Hill, A.
(2021).
Transgression in contemporary media culture International journal of cultural studies, 24(1), 3-14.
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Hill, A.
(2021).
Who killed Utopia? Cult conspiracy drama and a television imaginary International journal of cultural studies, 24(1), 56-71.
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Hill, A.
(2021).
Documentary imaginary: Production and audience research of The Act of Killing and The Look of Silence European Journal of Cultural Studies, 24(4), 801-815.
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Mathijs, E., Hill, A.
(2021).
Fugitive cult receptions of conspiracy thriller Utopia Participations, 18(2), 318-334.
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Hill, A., Mortensen, M., Hermes, J.
(2021).
Fear: Introduction to special issue European Journal of Cultural Studies, 24(4), 793-800.
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Hermes, J., Hill, A.
(2020).
Television’s undoing of social distancing European Journal of Cultural Studies, 23(4), 655-661.
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Hill, A., Askanius, T., Kondo, K.
(2019).
Live reality television: Care structures within the production and reception of talent shows Critical Studies in Television, 14(1), 7-21.
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Hill, A., Askanius, T., Kondo, K., Luis Urueta, J.
(2019).
Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence International journal of cultural studies, 22(5), 662-677.
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Hill, A.
(2016).
Push-Pull Dynamics: Producer and Audience Practices for Television Drama Format the Bridge Television and New Media, 17(8), 754-768.
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Hill, A., Hermes, J.
(2016).
Passion: Introduction to Special Issue European Journal of Cultural Studies, 19(3), 207-208.
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Hill, A.
(2015).
Spectacle of excess: The passion work of professional wrestlers, fans and anti-fans European Journal of Cultural Studies, 18(2), 174-189.
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Hill, A.
(2013).
Introduction to civic cultures Television and New Media, 14(1), 3-4.
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Tsekleves, E., Whitham, R., Kondo, K., Hill, A.
(2013).
Investigating pay-as-you-go to address issues of trust, privacy and security around media use at home Universal Access in the Information Society, 12(2), 217-231.
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Tsekleves, E., Whitham, R., Kondo, K., Hill, A.
(2011).
Investigating media use and the television user experience in the home Entertainment Computing, 2(3), 151-161.
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Cruickshank, L., Tsekleves, E., Whitham, R., Hill, A., Kondo, K.
(2007).
Making interactive TV easier to use: Interface design for a second screen approach The Design Journal, 10(3), 41-53.
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Hill, A., Weibull, L., Nilsson, Å.
(2007).
Public and popular: British and Swedish audience trends in factual and reality television Cultural Trends, 16(1), 17-41.
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Hill, A.
(2002).
Big Brother: The Real Audience Television and New Media, 3(3), 323-340.
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Hill, A., Palmer, G.
(2002).
Big Brother Television and New Media, 3(3), 251-254.
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Hill, A.
(2001).
Media risks: The social amplification of risk and the media violence debate Journal of Risk Research, 4(3), 209-225.
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Hill, A.
(2000).
Fearful and Safe: Audience Response to British Reality Programming Television and New Media, 1(2), 193-213.
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Hill, A.
(2000).
The language of complaint Media Culture and Society, 22(2), 233-236.
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Bok
Dahlgren, P., Hill, A.
(2023).
Media engagement.
Abingdon:
Routledge
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Hill, A.
(2015).
Reality TV.
Abingdon:
Routledge
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Hill, A.
(2010).
Paranormal media: Audiences, spirits and magic in popular culture.
London:
Routledge
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Hill, A.
(2007).
Restyling factual TV: Audiences and news, documentary and reality genres.
Abingdon:
Routledge
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Gauntlett, D., Hill, A.
(1999).
TV living: Television, culture and everyday life.
London:
Routledge
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Hill, A.
(1997).
Shocking entertainment: viewer response to violent movies.
Luton:
John Libbey Publishing
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Antologibidrag
Hill, A., Kondo, K.
(2022).
Entertainment mobilisation: Nordic noir fans and screen tourism.
In:
Ruxandra Trandafoiu
(Ed.),
Border Crossings and Mobilities on Screen
(pp. 173 -184).
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Hill, A., Hartmann, M., Andersson, M.
(2021).
Introduction: Mobile socialities.
In:
A. Hill, M. Hartmann & M. Andersson
(Ed.),
The Routledge handbook of mobile socialities
(pp. 1 -15).
Abingdon: Routledge
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Hill, A.
(2021).
Transported immobility.
In:
A. Hill, M. Hartmann & M. Andersson
(Ed.),
The Routledge handbook of mobile socialities
(pp. 290 -301).
Abingdon: Routledge
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Hill, A.
(2021).
Media industries and audiences: An analytic dialogue.
In:
The Routledge Companion to Media Industries
(pp. 508 -517).
London: Routledge
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Hill, A.
(2020).
Reality TV: Performances and audiences.
In:
Janet Wasko & Eileen R. Meehan
(Ed.),
A Companion to Television
(pp. 199 -219).
Hoboken: John Wiley & Sons
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Hill, A.
(2019).
Engaging with reality television.
In:
Shawn Shimpach
(Ed.),
The Routledge Companion to Global Television
(pp. 163 -171).
New York: Routledge
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Hill, A.
(2019).
Ambiguous audiences.
In:
Brian Winston
(Ed.),
The documentary film book
(pp. 83 -88).
Basingstoke: Bloomsbury Academic
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Hill, A.
(2018).
Media audiences and reception studies.
In:
Elena Di Giovanni & Yves Gambier
(Ed.),
Reception Studies and Audiovisual Translation
(pp. 3 -19).
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Hill, A.
(2018).
Paranormal reality television: Audience engagement with mediums and spirit communication.
In:
Mara Einstein, Katherine Madden & Diane Winston
(Ed.),
Religion and Reality TV:
Faith in Late Capitalism
(pp. 121 -136).
London: Routledge
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Hill, A.
(2015).
Audience experiences and emotional economy.
In:
Gregory Ferrell Lowe & Charles Brown
(Ed.),
Managing Media Firms and Industries:
What's So Special About Media Management?
(pp. 277 -292).
Cham: Springer
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Hill, A.
(2013).
Paranormal cultural practices.
In:
Olu Jenzen & Sally R. Munt
(Ed.),
The Ashgate Research Companion to Paranormal Cultures
(pp. 65 -78).
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Hill, A.
(2012).
Audiences in the round: Multi-method research in factual and reality television.
In:
Klaus Bruhn Jensen
(Ed.),
A Handbook of Media and Communication Research:
Qualitative and quantitative methodologies
(pp. 302 -317).
Abingdon: Routledge
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Hill, A.
(2011).
The Audience is the Show.
In:
Virginia Nightingale
(Ed.),
The Handbook of Media Audiences
(pp. 472 -488).
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Hill, A.
(2005).
Reality TV: Performance, Authenticity, and Television Audiences.
In:
Janet Wasko
(Ed.),
A companion to television
(pp. 449 -467).
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Hill, A.
(2004).
The Idea of Learning: Young Viewers of Reality TV in the U.K.
In:
Cecilia von Feilitzen
(Ed.),
Young people, soap operas and reality TV
(pp. 181 -188).
Göteborg: The International Clearinghouse on Children, Youth and Media
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Hill, A.
(2001).
Looks like it hurts: Women’s responses to shocking entertainment.
In:
Martin Barker & Julian Petley
(Ed.),
Ill effects:
The media/violence debate
(pp. 135 -149).
London: Routledge
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Hill, A.
(2000).
Fearful and Safe: Viewer Response to British Popular Factual Entertainment.
In:
J. Izod, R. Kilborn & M. Hibberd
(Ed.),
From Grierson to the Docu-Soap:
Breaking the Boundaries
(pp. 131 -144).
Luton: University of Luton Press
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Hill, A.
(2000).
Crime and crisis: British reality TV in action.
In:
Edward Buscombe
(Ed.),
British television:
A reader
(pp. 218 -234).
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Hill, A.
(2000).
Research Report on the BFI Audience Tracking Study.
In:
Sue Ralph, Tim Lees & Jo Langham Brown
(Ed.),
Current debates in broadcasting
(pp. 35 -40).
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Hill, A.
(2000).
A social drama: Anti-violence campaign groups and media violence.
In:
David Berry
(Ed.),
Ethics and Media Culture:
Practices and Representations
(pp. 248 -260).
Burlington: Focal Press
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Hill, A., Thomson, K.
(2000).
Sex and the media: a shifting landscape.
In:
R. Jowell, J. Curtice, K. Thomson, L. Jarvis, C. Bromley & N. Stratford
(Ed.),
British social attitudes:
Focusing on diversity, the 17th report
(pp. 71 -99).
London: Sage Publications
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Hill, A.
(1999).
Risky Business: Film Violence as an Interactive Phenomenon.
In:
M. Stokes & R. Maltby
(Ed.),
Identifiying Hollywood’s Audiences:
Cultural Identity and the Movies
(pp. 175 -186).
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Konferensbidrag
Hill, A.
(2024).
Authenticity Index: engaging with fact frictions in documentary andreality television.
Media Frictions International Symposium, 2-3 May 2024, Jönköping, Sweden.
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Tsekleves, E., Whitham, R., Kondo, K., Hill, A.
(2009).
Bringing the television experience to other media in the home: An ethnographic study.
New York:
Association for Computing Machinery (ACM), 7th European Conference on European Interactive Television Conference, 3-5 June 2009, Leuven, Belgium.
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Tsekleves, E., Cruickshank, L., Hill, A., Kondo, K., Whitham, R.
(2007).
Interacting with digital media at home via a second screen.
Washington, DC:
IEEE Computer Society, Ninth IEEE International Symposium on Multimedia Workshops (ISMW 2007), 10-12 December 2007, Taichung, Taiwan.
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Samlingsverk
(2025).
The Routledge Companion to Media Audiences.
Abingdon:
Routledge
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(2021).
The Routledge handbook of mobile socialities.
Abingdon:
Routledge
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